CLF Research L•2500 Series 750

The new Wide•5 of Fender Avenue is the biggest thing since Leo’s L•2000 hit back in ’81. We call it the G&L L•2500 Series 750 and it’s packing everything that makes the L•2000 and L•2500 icons. So what’s new?  The Series 750 is a fiver with a full 3/4-inch string spacing at the bridge, just like Leo’s four-string basses – that’s why we call it a Wide•5.

After all, it’s in the name: Leo’s four-strings have “three-quarter-inch” string spacing, so we’ve got 3/4″ > 0.750″ >  19.03mm. When someone says a five-string has “nineteen millimeter” string spacing, that’s just a metric conversion of Leo’s original four-string spec, so here on Fender Avenue it’s gotta be “Seven-Fifty.”  The CLF Research L•2500 and other G&L fivers continue with narrower 11/16” string spacing at the bridge, as popularized on 1980s for fivers. The L•2500 Series 750 is for players who want the full three-quarter inch spacing on the most iconic of G&L designs.

Series 750 means there’s a new Wide-5 Saddle Lock bridge plate housing five of the same saddles you’ll find on an L•2000. This new bridge is all about maximizing string energy transfer to the body  – especially that knockout B-string.  The new body shape draws on classic Fender Avenue forms, melding them into a fresh hit for the ages. That’s a sweet story in itself, as Series 750 arrives exactly forty years after the G&L L•2000 did. And those big pickups are more than stretched out brutes: all the harmonic detail of the best MFD humbuckers speak in a clear voice over massive B-string energy.

Sure, Series 750 is a brand new model but classic Fender Avenue details are everywhere.  That graceful early CLF/G&L headstock flows into a slim, rounded neck profile that’s rock solid thanks to a true dual-action truss rod and twin graphite reinforcement rods.  And those big, beautiful machined CLF knobs popping against the sweeping chrome control plate that houses the Trig-Tone Preamp.*  Even those little color-coded mini toggle switch tips have outsized mojo.  This is retrofuturism of the very best kind.

Available in:

  • Graphite Metallic over Alder, Rosewood fingerboard.
  • Tangerine Metallic over Alder, Maple fingerboard.
  • Old School Tobacco over Okoume, Rosewood fingerboard.
  • Blueburst over Swamp Ash, Maple fingerboard.

Founded by Leo Fender in 1980, G&L USA instruments continue to be made in the historic G&L facility on Fender Avenue in Fullerton, California, the Birthplace of Bolt-on.

The G&L name, stylized G&L logo, distinctive “hook” headstock design, ASAT, Magnetic Field Design and MFD are registered trademarks or trademarks of G&L Musical Instruments / BBE Sound, Inc.

† The personal name, likeness and signature of Mr. Clarence Leo Fender are property of G&L Musical Instruments / BBE Sound, Inc. and may not be used in any commercial capacity without prior approval. For enquiries regarding the use of the “Leo Fender” name, likeness or signature, please contact us. G&L is not associated with Fender Musical Instruments Corporation.

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    • PICKUPS: Two G&L Magnetic Field humbucking pickups
    • BODY WOOD: Swamp Ash and Alder
    • NECK WOOD: Natural Satin Hard Rock Maple with Maple fingerboard and Rosewood fingerboard
    • NECK PROFILE: CLF/G&L 1.78" nut width-slim C with 9 1/2" radius
    • FRETS: Medium Jumbo, Jescar 57110 18% nickel silver
    • TUNING KEYS: Custom G&L "Ultra-Lite" with aluminum tapered string posts
    • BRIDGE: Leo Fender-designed 19mm Saddle Lock with chrome-plated brass saddles
    • ELECTRONICS: Tri-Tone system with 3-position pickup selector, series/parallel switch, 3-position pre-amp mode switch, volume, treble, bass
    • INCLUDES: G&L Deluxe Gig Bag
    • No Options Available